FACELESS part I
The exhibition FACELESS at freiraum quartier21 INTERNATIONAL explores the phenomenon of inescapable recognizability in the media and the resulting strategies of media users to become virtually faceless.
FACELESS part I
Date: Jul 04 to Sep 01, Tue-Sun 13:00-19:00
Opening: Wed, Jul 03, 19:00
Press preview: Wed, Jul 03, 10:00
Location: freiraum quartier21 INTERNATIONAL
The exhibition FACELESS at freiraum quartier21 INTERNATIONAL explores the phenomenon of inescapable recognizability in the media and the resulting strategies of media users to become virtually faceless. FACELESS takes a radical look at this fairly recent phenomenon of everyday media culture and shows how it manifests in visual art, fashion, photography, advertising, and dance. The show features works by artists like Marina Abramović, Thorsten Brinkmann, and Maison Martin Margiela as well as projects created by unknown Internet dwellers.
The highly diverse strategies and methods of making faces “disappear” on the Web can be read as ironic, angry, or justified criticism of our media-infused reality. Faces do not disappear, but are manipulated beyond recognition, sometimes disfigured. The artist Bogomir Doringer, in collaboration with Brigitte Felderer from the University of Applied Arts Vienna, curated the two-part exhibition FACELESS. Part 1 is on view from July 4 to September 1, 2013.
“Many of the faces that appear on the Web are familiar and well-known. We recognize them, associate biographies, scandals, stories with them, and get the impression of gaining an insight into a personality and even witnessing an entire life. But in the end, the physiognomies we encounter only reflect our own personal concept of happiness, recognition, attention, and success,” says Brigitte Felderer.
“FACELESS critically examines problems of our media culture and presents the various approaches taken by the artists selected. Due to the complexity of the subject, the exhibition will be shown in two parts, a first for freiraum quartier21 INTERNATIONAL,” adds Dr. Christian Strasser, director of the MuseumsQuartier Wien.
After the events of 9/11 and in response to the fear of terrorist attacks, the levels of transparency and control have been taken to areas where they would have been unthinkable before. This has led to a change in security concepts and the expansion of surveillance systems. Social networks, which often violate privacy but promise their users popularity in exchange, have become the norm. Many artists critically engage with this subject and use “hidden” faces as a possibility to live an unobserved life.
Artist Thorsten Brinkmann, for example, presents self-portraits that in color, pose, and composition are reminiscent of classic portrait painting. But used and discarded everyday objects replace his facial features. Masks and head coverings from fashion labels like Maison Martin Margiela, Viktor & Rolf, and Bernhard Willhelm suggest that models’ faces have been redundant for the presentation of collections.
Conversely, a public persona like Marina Abramović attempts to relativize her high recognition value in photographic self-portraits. Frank Schallmaier, in turn, makes collages using photographs that he finds in social networks and online matchmaking sites for homosexuals: they portray people who show themselves, but hide their faces with the promise of retaining anonymity. Hester Scheurwater’s photographic works examine the media representation of women as objects of desire. In Ute Klein’s photographs the bodies of lovers melt into temporary, faceless sculptures. The self-portraits of Nienke Klunder parody the banal omnipresence of erotic images.
The side program of the exhibition includes special events, artist talks, workshops for kids and teens, and podium discussions. On opening night, visitors will be able to participate in the performance “Anonymity” by Addie Wagenknecht and Stefan Hechenberger, a playful critique of surveillance society. Black glasses distributed to the visitors are reminiscent of censor bars and images from surveillance cameras make the observed into observers. Addie Wagenknecht and Stefan Hechenberger developed “Anonymity” in New York and adapted it for the opening of the exhibition FACELESS. The performance is documented by ARISTIC BOKEH, an initiative to qualitatively explore, map and extend the electrosphere with parameters of artistic research and development. The initiative is part of the project Artistic Technology Research at the University of Applied Arts, Vienna.
Marina Abramović (SRB/USA), Marc Bijl (NED/GER), Thorsten Brinkmann (GER), Ondrej Brody (CZE) & Kristofer Paetau (FIN), Asger Carlsen (DEN/USA), Nezaket Ekici (TUR/GER), Shahram Entekhabi (IRI/GER), Caron Geary aka FERAL is KINKY (GBR), David Haines (GBR/NED), Ren Hang (CHN), Sabi van Hemert (NED), Ursula Hübner (AUT), Damier Johnson aka REBEL YUTHS (NGR/ITA), Brian Kenny (USA), Ute Klein (GER), Nienke Klunder (USA), Manu Luksch (AUT/GBR), Zachari Logan (CAN), Maison Martin Margiela, Slava Mogutin (RUS/USA), Veljko Onjin (SRB), Bernd Oppl (AUT), Tanja Ostojić (SRB/GER), Gareth Pugh (GBR), Eva-Maria Raab (AUT), Ana Rajcevic (SRB/GBR), Tarron Ruiz-Avila (AUS), Viktor & Rolf (NED), Daphne Rosenthal (NED/USA), Mustafa Sabbagh (JOR/ITA), Olivier de Sagazan (FRA), Daniel Sannwald (GER/GBR) for WOODKID, Frank Schallmaier (NED), Hester Scheurwater (NED), Jan Stradtmann (GER), Sergei Sviatchenko (UKR/DEN), Jun Takahashi for UNDERCOVER (JAP), Marc Turlan (FRA), Levi van Veluw (NED), Philippe Vogelenzang & Majid Karrouch (NED), Addie Wagenknecht (USA) & Stefan Hechenberger (AUT), Katsuya Kamo for Junya Watanabe COMME des GARÇONS (JAP), and Bernhard Willhelm (GER/FRA). Some of the artists will prepare their works as Artists-in-Residence at the MuseumsQuartier.
FACELESS is organized in cooperation with the Federal Ministry for European and International Affairs, the WIENER STÄDTISCHE Versicherung AG Vienna Insurance Group, the University Mozarteum Salzburg, the Dutch Embassy in Austria, as well as with the support of partners and sponsors from Austria and abroad.
Picture: © Sabi van Hemert
www.facelessexhibition.comThu, Jul 04 2013 to Sun, Sep 01 2013
TONSPUR 68: Wolfgang Mitterer (AUT): POINTS
8-channel sound composition, 7-part poster series in the TONSPUR_passage
The ordering and forming of silence between sounds:
Wolfgang Mitterer lives in Vienna.
Mitterer studied organ, composition and electroacoustics in Vienna and Stockholm. He is not only one of the Austrian specialists for electronics as well as being equally brilliant on the keyboard and on the slide controls, but is also one of the most innovative composers. His work oscillates between composition and open form. Apart from music for organ and orchestra, a piano concerto and an opera he has produced electronic pieces, conceptualized sound installations, and engaged in collective improvisation with diverse groups, developing a language of extremes, tension and complexity. The pleasure he takes in experimenting leads him to combine contrasting elements in the creation of unpredictable musical events. In one major composition, for instance, he juxtaposes musical bands and children’s choirs with specialized instrumentalists and singers, while filling the hall with surround sound created by live electronics. But his work transcends the merely spectacular, precisely because of his musical presence and the high – deeply moving – intensity and complexity of his compositions. Listening intensely to low sounds has its place just as much as the “installing” of exploding sound fragments in the listeners’ minds. Far from being smoothly pleasurable, Mitterer’s music is still uncannily beautiful at times.
M. Meller for “Tirol multimedial”
www.wolfgangmitterer.comJul 11 thru Aug 20, 2016, daily 10-20:00
Sergei Sviatchenko (DNK): SECRETLY
Wall installation at the MQ Forecourt
Location: MQ Forecourt
No English description available.
Image: © Sergei Sviatchenko
www.sviatchenko.dkApr 21 thru Dec 31, 2016, daily 00-24:00
LANGUAGENCRYPT/Layers And Essence
Installation by Gruppe Or-Om in the Raum D / Q21
Venue: Raum D / Q21
Download flyer: http://or-om.org/languagencrypt.pdf
Download encoded text: http://or-om.org/textencrypt.docx
Images and hints on FLICKR: www.flickr.com/groups/languagencrypt
Key: Gruppe Or-Om
Basic theory: http://goo.gl/ub3CcMay 01 thru Sep 30, 2016, daily 10-18:00
ELISABETH GRÜBL. Studio #
Exhibition in the EIKON Schaufenster
Opening and Presentation EIKON #94: Tue, May 24, 19:00
Venue: EIKON Schaufenster
No English description available.
Image: © Elisabeth Grübl
www.eikon.atMay 25 thru Sep 04, 2016, daily 10-22:00