FACELESS part I
The exhibition FACELESS at freiraum quartier21 INTERNATIONAL explores the phenomenon of inescapable recognizability in the media and the resulting strategies of media users to become virtually faceless.
FACELESS part I
Date: Jul 04 to Sep 01, Tue-Sun 13:00-19:00
Opening: Wed, Jul 03, 19:00
Press preview: Wed, Jul 03, 10:00
Location: freiraum quartier21 INTERNATIONAL
The exhibition FACELESS at freiraum quartier21 INTERNATIONAL explores the phenomenon of inescapable recognizability in the media and the resulting strategies of media users to become virtually faceless. FACELESS takes a radical look at this fairly recent phenomenon of everyday media culture and shows how it manifests in visual art, fashion, photography, advertising, and dance. The show features works by artists like Marina Abramović, Thorsten Brinkmann, and Maison Martin Margiela as well as projects created by unknown Internet dwellers.
The highly diverse strategies and methods of making faces “disappear” on the Web can be read as ironic, angry, or justified criticism of our media-infused reality. Faces do not disappear, but are manipulated beyond recognition, sometimes disfigured. The artist Bogomir Doringer, in collaboration with Brigitte Felderer from the University of Applied Arts Vienna, curated the two-part exhibition FACELESS. Part 1 is on view from July 4 to September 1, 2013.
“Many of the faces that appear on the Web are familiar and well-known. We recognize them, associate biographies, scandals, stories with them, and get the impression of gaining an insight into a personality and even witnessing an entire life. But in the end, the physiognomies we encounter only reflect our own personal concept of happiness, recognition, attention, and success,” says Brigitte Felderer.
“FACELESS critically examines problems of our media culture and presents the various approaches taken by the artists selected. Due to the complexity of the subject, the exhibition will be shown in two parts, a first for freiraum quartier21 INTERNATIONAL,” adds Dr. Christian Strasser, director of the MuseumsQuartier Wien.
After the events of 9/11 and in response to the fear of terrorist attacks, the levels of transparency and control have been taken to areas where they would have been unthinkable before. This has led to a change in security concepts and the expansion of surveillance systems. Social networks, which often violate privacy but promise their users popularity in exchange, have become the norm. Many artists critically engage with this subject and use “hidden” faces as a possibility to live an unobserved life.
Artist Thorsten Brinkmann, for example, presents self-portraits that in color, pose, and composition are reminiscent of classic portrait painting. But used and discarded everyday objects replace his facial features. Masks and head coverings from fashion labels like Maison Martin Margiela, Viktor & Rolf, and Bernhard Willhelm suggest that models’ faces have been redundant for the presentation of collections.
Conversely, a public persona like Marina Abramović attempts to relativize her high recognition value in photographic self-portraits. Frank Schallmaier, in turn, makes collages using photographs that he finds in social networks and online matchmaking sites for homosexuals: they portray people who show themselves, but hide their faces with the promise of retaining anonymity. Hester Scheurwater’s photographic works examine the media representation of women as objects of desire. In Ute Klein’s photographs the bodies of lovers melt into temporary, faceless sculptures. The self-portraits of Nienke Klunder parody the banal omnipresence of erotic images.
The side program of the exhibition includes special events, artist talks, workshops for kids and teens, and podium discussions. On opening night, visitors will be able to participate in the performance “Anonymity” by Addie Wagenknecht and Stefan Hechenberger, a playful critique of surveillance society. Black glasses distributed to the visitors are reminiscent of censor bars and images from surveillance cameras make the observed into observers. Addie Wagenknecht and Stefan Hechenberger developed “Anonymity” in New York and adapted it for the opening of the exhibition FACELESS. The performance is documented by ARISTIC BOKEH, an initiative to qualitatively explore, map and extend the electrosphere with parameters of artistic research and development. The initiative is part of the project Artistic Technology Research at the University of Applied Arts, Vienna.
Marina Abramović (SRB/USA), Marc Bijl (NED/GER), Thorsten Brinkmann (GER), Ondrej Brody (CZE) & Kristofer Paetau (FIN), Asger Carlsen (DEN/USA), Nezaket Ekici (TUR/GER), Shahram Entekhabi (IRI/GER), Caron Geary aka FERAL is KINKY (GBR), David Haines (GBR/NED), Ren Hang (CHN), Sabi van Hemert (NED), Ursula Hübner (AUT), Damier Johnson aka REBEL YUTHS (NGR/ITA), Brian Kenny (USA), Ute Klein (GER), Nienke Klunder (USA), Manu Luksch (AUT/GBR), Zachari Logan (CAN), Maison Martin Margiela, Slava Mogutin (RUS/USA), Veljko Onjin (SRB), Bernd Oppl (AUT), Tanja Ostojić (SRB/GER), Gareth Pugh (GBR), Eva-Maria Raab (AUT), Ana Rajcevic (SRB/GBR), Tarron Ruiz-Avila (AUS), Viktor & Rolf (NED), Daphne Rosenthal (NED/USA), Mustafa Sabbagh (JOR/ITA), Olivier de Sagazan (FRA), Daniel Sannwald (GER/GBR) for WOODKID, Frank Schallmaier (NED), Hester Scheurwater (NED), Jan Stradtmann (GER), Sergei Sviatchenko (UKR/DEN), Jun Takahashi for UNDERCOVER (JAP), Marc Turlan (FRA), Levi van Veluw (NED), Philippe Vogelenzang & Majid Karrouch (NED), Addie Wagenknecht (USA) & Stefan Hechenberger (AUT), Katsuya Kamo for Junya Watanabe COMME des GARÇONS (JAP), and Bernhard Willhelm (GER/FRA). Some of the artists will prepare their works as Artists-in-Residence at the MuseumsQuartier.
FACELESS is organized in cooperation with the Federal Ministry for European and International Affairs, the WIENER STÄDTISCHE Versicherung AG Vienna Insurance Group, the University Mozarteum Salzburg, the Dutch Embassy in Austria, as well as with the support of partners and sponsors from Austria and abroad.
Picture: © Sabi van Hemert
www.facelessexhibition.comThu, Jul 04 2013 to Sun, Sep 01 2013
Exhibition at EIKON Schaufenster
Venue: EIKON Schaufenster
The Austrian Institute for Photography and Media Art has been publishing Edition EIKON since 1995, which comprise limited editions of signed and numbered original photographs by renowned and emerging artists. The aim of this initiative is to offer quality works of art at affordable prices, and to thereby familiarize more art lovers—particularly young generations—with photography and to encourage them to collect. By carefully selecting the artists and limiting the print runs to 30 copies on average, Edition EIKON creates a solid investment base and ensures a long-term increase in the value of these works.
The exhibition presents selected artistic positions of the Edition’s portfolio and shows a curated cross-section of the past 20 years of Edition EIKON.
Norbert Brunner, Peter Dressler, Jürgen Klauke, Sigrid Kurz, Sissa Micheli, Ona B., Elfie Semotan, Michael Strasser, Sergei Sviatchenko, Jeanne Szilit, Andrea Witzmann, Erwin Wurm, Robert Zahornicky, Leo Zogmayer
Image: Edition EIKON: Elfie Semotan, New Jersey Shopping, 2003/2006
© Elfie Semotan | Edition EIKON
www.eikon.atApr 10 to Apr 30, daily 10-22:00
TONSPUR 73: Finnbogi Pétursson (ISL): Border 2017
8-channel sound installation in the TONSPUR_passage
Opening: Son, Feb 26, 17:00
A border between different cultural worlds, mornings and nights, clouds, palms and Cubans, thoughts, lakes and lovers, brains and vacuum, elbows, fghting, refugees, U.S. and A, untold stories, countries, plants and cells, Syrians, bricks and ignorance, colours, humble rhythms, the tide, religions, barbed wire and freedom, gates, boats, hamburgers, mental health and madness, numbers, fruit, cords and diamonds, dreams, funerals, dealers and football, exhalation, equality, truth, insurance, life or death, volcanoes, humour, money, weeds, black and white, bricks, pigs, Muslims and Christians, kisses, torture, transsexuals and politicians, animals, fghts, walls, zombies, dictators and the rest of the world.
Infra-Supra © 2016 Finnbogi Pétursson & Berg Contemporary, Reykjavík
www.tonspur.atFeb 27 to May 27, daily 10-20:00
Heike Drewelow – Literatiere (LiterAnimals)
Exhibition in Raum 66 in the Galerie der Komischen Künste
Venue: Raum 66 in the Galerie der Komischen Künste
No English description available.
www.komischekuenste.com/raum66Mar 02 to Sep 03, daily 11-18:00
Sybille Tsalikoglou: flowery pop on metal
Exhibition at Combinat
No English translation available.
www.combinat.atMar 03 to May 04, Tue-Sat 12-19:00