City ............................. London
Category .................... Hacker Culture, Financial Art and Design
Recommended by RIAT – Research Institute for Arts & Technology
Period of stay ............ Mar 17 - Apr 17
Book: The Heretic’s Guide to Global Finance: Hacking the Future of Money (Pluto Press: 2013)
2015-present: Building the Activist Bloomberg Terminal: Laying the groundwork for an alternative financial data terminal with London School of Financial Arts.
Collaborations with Furtherfield (London), Royal Anthropological Institute
2016-present: Blockchain Constitutions: Collaborations with COALA (Coalition of Automated Legal Applications) & RIAT Vienna
2016-present: Pimp my Digital Dollar: Re-visualising Money for the 21st Century: Collaborations with MIT Media Lab, Berlinner Gazette
2016: How Can Cryptocurrency and Blockchain Technology Play a Role in Building Social and Solidarity Finance? UNRISD http://www.unrisd.org/brett-scott
2016: Terminal value: Building the alternative Bloomberg, with Christopher Wood, Alasdair King, Ruth Catlow in Finance & Society Journal http://financeandsociety.ed.ac.uk/article/view/1727
2015: Dark Side Anthropology & the Art of Financial Culturehacking, in Supramarkt: How to Frack the Fatal Forces of the Capitoscene http://irenepublishing.com/?page_id=555
Blockchain technology for reputation scoring of financial actors, in Finance & the Common Good
Forthcoming: The Hacker Hacked, in American Subcultures: A Bedford Spotlight Reader by Eric Rawson
Forthcoming: The War on Cash, The Sage Handbook of Consumer Culture
Forthcoming: Exploring the rise of Blockchain Technology: Towards Distributed Collaborative Organisations, with John Loonam, Vikas Kumar & Richard Adams, in Strategic Change: Briefings in Entrepreneurial Finance
During this residency I will continue to build upon three strands of work.
Re-Visualizing Monetary Imagery for the 21st Century: Our dominant visual imagery of money and banking is not only inaccurate, but also continues to perpetuate myths that shield banks from greater scrutiny. This project aims to set the groundwork for the world’s first stock imagery site dedicated to presenting critical, alternative takes on the reality of money and banking. I began this project in November 2016, when I undertook at residency at MIT Media Lab, and now I will seek to push this to the next stage of development.
Decentralised Governance for Decentralised Technology: Blockchain technology offers us a decentralised technology platform for recording – and potentially automating – interactions between strangers, and yet the means by which we collectively govern these platforms remains opaque and unsatisfactory. For example, a person may use the Bitcoin system, but how do they have any meaningful say in how the protocol is updated, changed or forked? In this project, I will seek to build out a framework for thinking about blockchain governance, one that could help build confidence and true participation in new blockchain platforms as they are released into the world.
Interfaces and the Ethics of Digital Finance: Digital finance – or ‘fintech’ – emerges at the intersection of traditional finance and digital technology. It is often presented as being a disruptive new ‘hybrid’ form, but the majority of digital finance is either the automation of traditional finance, or – alternatively – it is the placing of an automated user experience layer over traditional finance. In this context we might ask whether the digital format accentuates, alters or challenges the existing systems of financial ethics. Digital technology in general, however, raises entirely new ethical questions – such as data ethics – that apply to a range of sectors but that intersect with finance in unique ways. In this project, I will explore the dynamics of financial app interface design and ask whether we can build a critical, politically-aware, community of financial technology designers.